Thursday, October 26, 2006

A Trip to Dundee Rep Theatre

Readers, I have just enjoyed a most successful evening at Dundee Rep Theatre where I believe I have now firmly established myself as a theatre critic of distinction. It was a magical night – the premiere of Sweet Burd o’ Bairns, a Scots translation by Matthew Fitt of Tennessee Williams’s Sweet Bird of Youth. All of high society was in attendance, the lights were bright, the Lambrini flowed freely, and the vol-au-vents were dished out to those as wanted them. I fitted in perfectly.

Dundee Rep Theatre is a fine establishment with an internationally renowned acting company, award-winning artistic directors, and two bars – one upstairs and one down. I marched up to the box office of this prestigious building and said, “Dear lady, I am a critic. I demand a free ticket.” The young man behind the desk was sceptical and asked the name of the publication for which I worked. Panicking, I told him I was the Arts Correspondent for The Daily Thompson, a newspaper I invented on the spot. This seemed to satisfy the chap as he promptly handed me a press pack comprising a ticket, a free programme, a token for a free interval drink, and an invitation to partake of post-show wine and nibbles.

“Thank you my good woman,” I said. “You shall get a good write up from me! Ah-ha-ha.”

Taking my seat in the auditorium, I watched in awe as the house lights dimmed, the curtains rose, and the main characters, Chance Wean and Alexandra Del Lagamachie, took the stage. I immediately fell into a deep slumber.

At the interval I moseyed over to the critics’ designated area which is specially cordoned off from the riff-raff so that we do not have to hear the untrained opinions of the great unwashed. There I conversed with my fellow theatre critics. I have illustrated the encounter to let you see for yourselves the faces of the important men and women who can make or break any play in this fair nation with just a stroke of their pen.



They are, from left to right (or stage right to stage left in theatre-speak), Thom Dibdin of The Stage, Joy Watters of the Dundee Courier, Neil Cooper of The Herald, Robert Dawson Scott of The Times, and Joyce McMillan of The Scotsman.

Readers, I will break off now and tell you more about my meeting with the critics and indeed, my review of the play, in tomorrow’s entry. It is now late and I am very tired what with all the criticising I have done today.

1 comment:

blackfacejynx said...

hey nice pic u draw that urself? :confused: